Name	Title	Year	Time	About
Clint Enns (CA)	The Death of Natural Language	2007	2:54 min.	Clint Enns currently resides in Winnipeg, Manitoba and is a master's student in Mathematics.  His interests include model theory of rings and modules, structuralist film and video, and mathematics in art. The Death of Natural Language is an ascii animation of a plane crashing. The abstracted image mediated by ascii text parallels modern human communication; meaning is often lost or misinterpreted by the process. The music is miko by the beans.
Milica Rakic (SB)	„My name is Red”	2007	4:00 min	Milica Rakić creates a new synthesis by combining the structure of meaning and the interpretation with traces of the past. Her video art equally examines our dazzlement by ideology and our obedience to authority withour cynicism and ridicule. She allows the public to draw its own conclusions.
Jen-Kuang Chang (USA)	Drishti III.	2008	5:00 min.	Jen-Kuang Chang, a native of Taiwan, is working on the acoustic composition, electro-acoustic, and audiovisual as expressive agents.  Mr. Chang is the recipient of the Music Omi International Musicians Residency Award and the CLIC Foundation Digital Art International Contest Award.   “Drishti III”, a term describing visions one experiences during meditative states. Both computer-generated and sampled sounds are incorporated as to achieve the intended variety of sonic landscapes to match the vivid, but delicate visualization. By presenting this composition, the composer invites listener to actively contemplate one’s Self and the interaction between Self and the immediate surroundings that might be fallacious and misleading to one’s true understanding of inner divinity.
Ron Lambert (USA)	Still City Slow	2008	5:33 min.	Working mainly in video and sculpture, Ron Lambert investigates the intersection between psychology and the environment. Ron is currently an assistant professor at Watkins College of Art and Design in Nashville, Tennessee. "This piece is from a series of short videos I made during 2008 after moving from a very rural area to an urban one. While walking around the downtown area of Nashville, Tennessee, I started to get to know my new environment. I began to see the rub between older construction, newer construction and the dilemma of progress versus history. I find the city a facinating place where people can't avoid contact with others, and for better or worse, it is a place where people reveal the true character of how we relate to ourselves and our environment.
Aaron Oldenburg (USA)	Mary Bug	2006	1:15 min.	Aaron Oldenburg is a game designer and new media artist. Mary Bug, this footage was originally designed to be used in a voice-activated computer game where the user makes butterfly noises to sneak an insect Virgin Mary past butterflies, bat noises to sneak her past bats, etc.
Tamás Komoróczky  (HU)	Delusion or the Jump of the Lioness	2008	5:00 min.	I shooted the Delusion on the summer of 2008 in a park of Berlin with steadicam whereby the moving of the recording became light and flappy. I found the sounded text in a roman of Győző Határ. I saturated the space with different effects that alienate it from the park – as the park would be a screen behind it like a kind of beyond and fictional space. I took away the sound atmosphere too from the environment and I mixed with noises of the waiting room of an airport.
Shon Kim (USA)	Hemorrhage	2009	5:30 min.	Abstract locomotion of thesis-antithesis in order to evolve and their struggle for synthesis. This experiment is founded on Material Dialectic. ‘Power never bleeds, but history does.’
Beatriz Albuquerque (PT)	ACTivism	2007	5:00 min.	She finished her Bachelor of Arts at Faculdade de Belas Artes da Universidade do Porto in 2003 and her Master of Fine Arts at the School of the Art Institute of Chicago in 2006. In 2004 she joined the Independent Performance Group founded by Marina Abramovic. This piece explores activist key words that will function in the audience has a way to remember, transform on the inside the persons that read them and think about it as well after in the outside. With transformational activism, even small actions from the “inside out” can make a difference in the long run to create meaningful change in the world. This is explored on a light/shadow sculpt environment formed by letters/word that live in an utopist game area that transpose and became an example of real berserk web interaction documentation.
Harald Rettich Aka Rettnoise (D)	Current	2008	4:11 min	In several of his video works, rettnoise explores different urban spaces which he processes following the rules of the digital. This way, these urban spaces become visual pieces of information, codes of the virtual field, as if they would pass through a genetic modification. These codes are the vocabulary of rules giving structure to the composition. He performs the video material as a living surface, exploring textures and forms in the video signal, reaching an expressive abstraction which amplifies due to noisy sound
Elham Rokni (IL)	Drive	2007	1:32 min.	In the brief moment, there is a suspended meantime of a wondering gaze
Zvonka T. Simčič (SLO)	Doulas »ad utero ab ovo«	2007	4:55 min.	She has been exhibiting regularly since 1988, operating through installations, video, performance and photography. In her work she has lately utilized an interactive video, digital photography as well as computer animation. All her works show a distinguished and strong social foundation, stemming primarily from her own life experience. The video Doulas »ad utero ab ovo« is a document touching the position of a single mother and an artist. The project exposes the personal experience of a female performer when the artist becomes a single mother to a test-tube baby in a country forbidding this. The first part of the video introduces the situation as a document that transforms into a sample in the second part of the video, as an artistic response to the presented situation.
U.S.O. Project+Selfish (IT)	InharmoniCity	2009	15:00 min.	Inharmonicity, an urban symphony, through those sounds normally hidden from our perception and revealed through unusual transducers.
Juan Carlos García (SP)	en cadena	2008	4:49 min.	An exercise between the dance and the documentary cinema, a small and tender history, that of subdued beings who wake up, that will connect with themselves and with the person that they have ahead. EN CADENA it’s the name that receives this singular irruption of the dance in an assembly line with disabled intellectual workers.
Tihamér Török (RO)	Easy Life	2007	2:00 min.	We can see 5 little stories, visions on the topic of global warming.
Nadja Marcin (USA)	Loss of Hearing	2008	12:00 min.	In "Loss of hearing" the scenery is solely introduced by the use of light and sound. As the narration is placed in a white cube environment, stereotypical plot lines are being stylized and uncovered by an ironical undertone. "Loss of hearing" comments with caricature, provocation and irony on the loss of sense and emotion in mass media productions. Behind that level of irony the video work reveals a deep-seated romanticism.
Lemeh42 (IT)	Study on Human Form and Humanity # 01	2008	2:00 min.	This work has been first shot as a video performance on a theater stage, then it has been edited digitally. The title in fact refers to both the two phases of the work. As a recorded performance this work reflects on the human form. We have created a coreography based on the movements and positions of a sleeping body.
Lisa Torell (S)	Cover by the Lens	2008	4:41 min.	Lisa Torell is an artist mostly working with text-based installations and social interaction. The film takes place at a local bar in Cairo where the local band and a female dancer are performing. The main thought starts out from questions that concerns representation and perspectives.
Ismaïl Bahri (F)	Résonances (Resonances)	2008	7:16 min.	Resonances starts with the prospecting of the bathroom from my childhood. Black inked words written in Arabic on the bathtub surface scatter and propagate progressively. They resonate and echo night scene recollections. Transformed in a resonance chamber, the bathtub mixes the fluids of these evanescent thoughts.
Gerard Freixes Ribera (E)	Aislado (Isolated)	2008	3:00 min.	Loneliness may be found in a desert island or in the middle of a big urban crowd. Gerard Freixes Ribera currently works as video editor while doing his own more personal and experimental works . His works usally use found footage material and relate to the subject of individualism.
Suzie Silver, Hilary Harp (USA)	Robot Love	2008	3:45 min.	Collaborating since 2003, Hilary Harp and Suzie Silver have created a range of projects including objects, installations, videos and performances.  Drawn to exotica, science fiction and pre-digital special effects, they create d.i.y. spectacles by combining technical sophistication with humble materials. Inspired in part by the cover of Megatron Man, Patrick Cowley¹s archetypal
Jeremy Eichenbaum (USA)	Get It, Got It, Gone	2008	1:45 min.	Working with photography, video, and ideas of fragmented time and space Jeremy shows the contemporary structure of the Californian landscape and how he places himself within it. Get It, Got It, Gone is a video that shows the absurdity and beauty of attempting the impossible.  Once the impossible is reached it only lasts for a fleeting moment.  Then the struggle starts again and the cycle continues.  In this video the impossible is portrayed as an attempt to light a lighter outside the window of a moving vehicle.
Pál Szacsva y  (HU)	Preicycle	2008	3:00 min.	„Pericycle” is a metaphoric video about a peripheric way of exchange.
A. Bill Miller (USA)	gridworks2000-anim09	2009	3:00 min.	"gridworks2000-anim09" is a reproduction of work originally created while the artist worked in information visualization at Master-List2000.COM. The drawings are recreations from memory. They were drawn individually in both ink on paper and ascii plaintext over the course of 6 months just after the artist was laid-off from the organization. As a part of the severence agreement, the artist was required to destroy all of his personal copies of his work for them.
Pieter Geenen (B)	Atlantis	2008	11:00 min.	The construction of the controversial Three Gorges Dam on the Chinese Yangtze River will be complete in 2009. In a research on the landscape as a bearer of meaning ‘atlantis’ explores the ‘sunken’ universe of the flooded Three Gorges Reservoir behind the dam.
Roberto Santaguida (CA)	Miraslava	2007	7:25 min.	A young man, his life in tatters, seeks redemption by fleeing the city.
Mattias Wright (D)	Pattern recognition	2008	7:20 min.	Networks are patterns of channels, that are connected by crosspoints. These systems organize themelves by specific mechanism. In such networks we are moving daily, for example through streets in order to when we walk from.
monochrom (A)	Kiki and Bubu and the Privilege	2008	5:18 min.
Anders Weberg (S)	Undisclosed Beauty	2008	3:13 min.	Just because You spit in my eyes does not mean that I have clear vision
Renetta Sitoy (USA)	The Dawson’s Creek Projects: Animation 4 of 4	2006	4:46 min.	Renetta Sitoy is a new media artist whose work examines the alteration of reality, space and time through media that include video, animation and sound.Animation 4 of 4 from THE DAWSON’S CREEK PROJECTS embodies the idea of celebrity obsession through what could be considered a chant or mantra for Joshua Jackson. Jackson starred as Pacey Witter on Dawson’s Creek, a teen drama that aired from 1998 to 2003. In this piece, sound and image, though seemingly unsophisticated in their banal and simplistic nature, combine to leave both an auditory and visual imprint on the viewer.
Roy Menahem Markovich (IL)	Untitled	2007	4:30 min.	Several 'Mini End of the World' scenes are brought together into one piece. Disasters - small and annoying accidents - things that might happen to you during your vacation. Everything is made out of cheap materials. Things are built to collapse.
Konstantinos-Antonius Goutos (D)	the videoFlâneur® shoot himself in 3 different cities	2007	9:28 min.	3 portraits of the cities of prague, berlin and leipzig taken between 2006 and 2007 with a normal digital video apparatus without tripod without camera moves without a zoom lens without special lighting without extra microphone without effects the sound and the length of the shooting is the original there is no cuts between the same scene
Sylvia Winkler/Stephan Köperl (D)	1. Aber den Kunden gefällts doch! (But the customers like it!) 2. Den Fremden lange anstarren (Staring at the stranger for a long time)	2006, 2007	2:00 min, 2:00 min.	1. Musical intervention in the discounter supermarket. 2. »Staring at the stranger for a long time« is an example sentence for the characters »zhu shi« (to stare at somebody) from »The Great Chinese-German Dictionary«. Holding this writing and having the video-camera between us, we put ourselves on display in a lively neighbourhood.
Cristiano Berti (IT)	Silent nights	2007	0:30 min.	Cristiano Berti (Turin, 1967) is an artist based in Turin and Jesi (Italy), mainly working with photography, video and the installation of re-contextualised objects. “Silent nights” is a technological epiphany that occurs in an urban terrace in Turin (Italy).
Matthias Fitz (D)	Electromagnetic plot	2008	7:00 min.	Human made electromagnetic radiation and signals have become an elementary part of society, at the latest since the invention of wireless telegraphy at the beginning of the 20th century. Electromagnetic waves surround and penetrate us continuously. No matter where we are. Electromagnetic plot is a collection of electromagnetic audio-signals, analog and digital interference-images and signals, as well as different variations of making electromagnetic radiation visible for scientific purposes. Assembled in an associative way these image- and sound fragments resulted in one possible blueprint of the invisible electromagnetic environment of human beings.
Sandra Isacsson (USA)	Girls Inferno	2007	7:30 min.
Wilfried Agricola de Cologne (D)	House of Tomorrow	2007	3:00 min.	Agricola de Cologne is a multidisciplinary media artist, director of shortfilms, New Media curator and founder & director of [NewMediaArtProjectNetwork]:||cologne – www.nmartproject.net , the experimental platform for art and New Media operating from Cologne/Germany.The house of tomorrow is the house of one's identity, it does not need to be a concrete house or building, but represents a secure and protected place where people can stand for what they are and represent, a human being. And this human may have many identities in different fields, the sexual identity represents only one among many others.
Sari Gink(HU)	Book	2008	0:52 min.	I cited from the roman of László Krasznahorkai (Hill to the North, Lake to the South, Roads to the West, River to the East). The object I propose to myself was the use of a clear-out form matching to the plot. Using an image-create technology – photogram – that works with grey-gradiational scale from black to white. The accentuated words from the citation are specially important nowadays when decreasingly we take less and less concrete tactile books – objects – having spatial and temporal extent: understanding-order-guide-observation-honour-confidence-clearness-tradition-repetition.
András Ravasz (HU)	Continuo	2009	2:30 min.
Jesus Aguilar (USA)	1. Binary Language: A Computer Simulation, Lesson 1-3 2. The Google Project: Google Data 1 3. Alternate Narratives: Three Stories	2006 2008, 2008	3:00 min. 10:00 min. 05:30 min.	Binary Language; A Computer Simulation, Lessons 1-3 is a peformative piece in which the artist recites phrases in binary code, or binary language. Zeros and Ones (binary) are the building blocks of all contemporary digital tools and technologies, providing the logic to everything from a digital clock to a high powered computer. The piece is modeled after an educational language video, in which the artist translates phrases from the english language into binary code. The piece looks a both the simplicity and complexity of digital technology which appears archaic and inefficient when simulated by a human being. The Google Project: Google Data 1 is a visual ensemble of the first 500 entries found on Google’s popular search engine upon searching for the artist's name, Jesus Aguilar. The video, taken directly off of the computer screen, is a continuous loop of text and sound. Issues of indexing, archiving and personal history are points of reference in the conception of this piece. Alternate Narratives: Three Stories is a fictional construction of three separate narratives incorporating text and images found on the Internet upon searching for the artist's name, Jesus Aguilar. Inspired by the Many Worlds Interpretation of quantum mechanics, in which every possible outcome to every possible event takes place in its own 'history' or 'world', the piece offers 'alternate realities' to the life of the artist. The silent video of static images and text, taken directly off of the computer screen, is an uncannny account of the intertwined realities of Jesus Aguilar and his namesakes.
Ted Sonnenschein (D)	Train Songs	2008	9:24 min.	Ted Sonnenschein is a filmmaker/photographer who works within the confines of public transportation. After spending some years making a portrait of the New York subway system, he is currently working in Berlin where he is filming the city as it appears and develops through the windows of the train.  Train Songs is a collection of moving stills from a project of looking at the train as a cinematic and optical device.
Zsolt Koroknai (HU)	Landscape-planting	2008	3:50 min.	The video work is based on a bicycle-trailer which is as a matter of fact a mobile camera-stative, wherewith I shoot the film and the wheeles of the trailer and the bicycle.
Jeanette Louie (USA)	„Exile (Of the Solipsistic Son)”	2008	3:00 min.	Jeannette Louie’s interdisciplined artworks explore the influence of perception upon the thinking mind.  “Exile (of the Solipsistic Son)” is a portrait of a solipsistic moment rendered in video, still imagery, collage and animation.  It begins with a bucolic beach scene followed by a disturbing interlude of memory.  The artwork explores the state of solipsism, which is defined to be a condition of extreme perception.
Yoko Fukushima (FR)	1. Hitchhiker 2. Alice in Wonderland	2007 2007	02:03 min. 03:09 min.	In Hitchhiker, a greyish winter light, a hitchhiking girl stands on the side of an isolated road. She is getting ready full of hope in hearing the sound of a motor. In Alice in Wonderland in a forest, a girl is walking with eyes tighten. Walking in blind, she just tries to go ahead without falling in mass of brambles. Each moment takes her to another confrontation to the next step.
Vanina Topić (HRV)	I Am Playing Water	2009	3:00 min.
Frédéric Dumond (FR)	Vidéolettre #7 / videolével #2 (videoletter #7)	2008	4:00 min.	In his work, Frédéric Dumond is concerned with how text and language are given meaning in what is called the ’information age’. Thus, in order to help us notice the emergence of a text into everyday use, he not only explores the political and social context from which it emerges but presents language as an ’event’: the text, or the word, as an ’experiment’
Kata Tesch (HU)	Moon’s Journey	2007	1:00 min.	In the Moon’s Journey project I reconsidered the rules of the perspective and I developed exactly the inverse of a general stimulus. The result drived to a very strong, psychedelic experience wherein the spectator feels like the moon - which seems like a static point for the traveller - becoming a part of the landscape.
Wei-Ming Ho (TW)	Run Nanu Run	2008	6:00 min.	The images of this film are not only the powerful elements which can scatter or transfer the violence of the police, but also bring us the strong visual effects to proceed with the conversation between the images and the city environment, during the march, the flashing images become the power to release the wounded spirits.
Hui Mo Yiu (CHN)	A Play of Control	2007	8:00 min.	See how I can play with the body. It is an experiment of controlling a body to play with another body, through the rearrangement of the body to reconstruct a non-existing dance.
Matthew Mackisack (UK)	The Turning	2008	10:00 min.	The Turning' examines the imaginative processes invoked in the church and the cinema, on the premis that any emancipatory project has to examine the structures or apparati that shape the subject's imaginal work.
Silvia Giambrone (D)	Eredità (Heritage)	2008	10:00 min.	Aimed at exploring the strong and intense relation between control and desire, this performative action wants to challenge the practice of seduction, as a patriarchal way of controlling the body.
Duro Toomato (NL)	Sleeper	2008	5:00 min.
Sam Holden (UK)	70 Still Frames and 5 Minutes 50 Seconds of Video	2008	5:50 min.	Using a digital SLR, image capture software and a hidden video camera ’70 Still Frames and 5 Minutes and 50 Seconds of Video’ highlights how much we simply don’t see when encountering someone’s photographic reproduction and underlines how problematic photography can be as a representative medium.
Bruno Bresani (ES)	Saudades (Miss)	2006	1:00 min.	Two cities, Sao Paulo-Shanghai, the despair of the chaos, lights on the progress of decay.
Uma Ray (IN)	Padapadma (The Lotus Feet)	2009	3:00 min.	The idea behind this video is to compare the two stages in my life, as in any other woman’s life. Looking back to the days as a girl, with the playful naiveté, to that of an unknown beauty of a woman shrouded in a veil….
Richard O’ Sullivan (UK)	Palimpsest	2007	8:10 min.	Palimpsest offers a visual representation of the industrial exploitation of the natural world. The camera moves through the rock and the trees like a machine, fragmenting the natural material into freeze-frames, or dissolving it into a vague mass or abstract stream. The rapid motion and jarring editing gives the viewer a visceral experience of the violence of such a process.
József Bob (RO)		2009	4:50 min.	"This street performance which camouflaged a filmshooting was made on the 2d of March 2008 on the Boulevard of our civic town without any authority permission. I was interested in the real and fictional space mapping in the senses. Doubling the real space creates the location of the action. The linearity of the real timesections becomes a simultan time in the filmnarration. I tried to expand the possibility-field of the raw material with a minimal intervention. Hereby a looking-away and an eyes-meeting version came off. Xenia must had marched down twice between the passers-by, cars and birds with her steamy potato soup in the gentle snow-drizzling."
Carlo Sansolo (BR)	Substancialidade e metodo (Substanciality and method)	2009	10:00 min.	Carlo Sansolo is video artist, curator of electronic art and musician.
Luigi Rizzo (IT)	Kloto	2007	2:38 min.	I found a vinyl with a blind side, no sound was recorded on the b-side. It was a paradox, a record with no sound. I decided to put it in front of a window so the sounds of the streets become its sound. The work reflects about the relation between what we see and what we hear. Sometime, as in this specific case, the relation is not so obvious.
Alexander Schikowski (HU)	Nem magyar ember (Not a true Hungarian)	2008	1:43 min.	This work is a reaction to social hate which is experienced in the course of the gay pride parade. The judge adjudged in the case of the one-year-ago incident that the egg-tossing is a free demonstration of the opinion. This video work reflects on the agressivity in the society which seems like the only possible reaction to alterity.
Henry Gwiazda (USA)	1. Claudia and Paul 2:13 d.m. 2. On the Roof 3. A doll’s house is…	2008 2008 2008	04:18 04:16 05:48	claudia and paul is an experiment to discover what artistic event would occur if we could see all the activity around us in the next couple of minutes juxtaposed. How would it affect our concept of alterity/identity? Perhaps our concept of ourselves is only possible by seeing our actions in time? Would our actions appear more meaningful? Would a choreography suddenly emerge? Is the motion around us better observed by extending our memory into the past and future simultaneously? On the roof  shows that each motion, whether it is made by human, animal, object, light or sound, is connected and extended by other motions to compose a phrase, a sentence of great artistic interest. Each movement by itself is meaningless, boring, cliched. But seen as one component of a larger artistic phenomenon, it becomes important, meaningful. A doll's house is...... is a work which explores the artistic connection between movement that occurs in an apartment building, other units in that building and the exterior world. It shows that each motion, whether it is made by human, animal, object, light or sound, is connected and extended by other motions to compose a phrase, a sentence of great artistic interest.
Szilvia Takács (HU)	18 nap Finnországban (18 Days in Finnland)	2008	5:34 min.	The base of the video was made on the summer of 2006 during a residency program. I was shooting my bed and a part of my room through 18 days. I was taking pictures spontaneously in different time and uncalculated period because I wanted to observe the cyclicness and continuity of the activities associating with bed.
László László Révész (HU)	Dreamcatcher	2009	4:00 min.
Júlia Vécsei (HU)	Azonos mértékkel (With equal measure)	2008
Léna Kútvölgyi (HU)	I’m an englishman in Budapest I.	2009	6:24 min.	In her movies Léna Kútvölgyi aspires with amazing solution to the manipulation of the motion picture and the interaction of the audience in her audiovisual installations. Her works are tipical of crossing the genre border and their immediate reinterpretation slides the mental conception to an ironic visual world with a light camouflage gesture. "I'm an englishmen in Budapest I." is the first part of a trilogy, an interview, what was happened and happening all the time again and again, a real story from Budapest. This visual interview-movie named VJ started with a twist because it shows the defined history of the racism in the hungarian public life like a fiction.
Sugár János (HU)	Mute	2008	10:20 min.	“Maybe the most unique button on a TV remote control is the mute. The audio-visual dramaturgy is so well designed for perceptional overkill that we can understand the basic content just from the images. The staged debates of a country’s top political contenders are in the focus of public attention: every little detail or aspect is precisely analyzed beforehand – and after. An unexpected form of criticism of the institutional system appears.” Johan Sjerpstra
Alexia de Ville de Goyet (UK)	Astral Chorus	2007	11:00 min.
Hajnal Németh (HU)	Air Out
Joanna Rojkowska (PL)	1. Nude in the interior 2. Nude with water	2008 2008	02:26 01:56
Örkényi Antal (HU)	Adam Leaves Eden- Eva Returns to Eden	2007	05:56 min.