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VideoChannel (D): Women Directors Cut - 13 : 13 : 13
13 films – 13 directors – 13 countries
VideoChannel is the video project environment in the framework of [NewMediaArtNetwork]||:cologne, (The Network) the experimental platform for art and New
Media operating from Cologne, Germany.
VideoChannel chief curated and directed by Wilfried Agricola de Cologne, who is also the
founder of The Network, is dealing thematically basically with the aspects of “memory and
identity” and incorporates currently about 20 curators and about 250 artists and more than
250 films and videos.
Founded in 2004, VideoChannel is organised completely online, all currently available more
than 250 videos can be viewed online with free access. Each year a couple of new curated
video projects are realised under changing themes.
Powered by VideoChannel, CologneOFF – Cologne Online Film Festival , a new type of
film/video festival which is simultaneously organised online and offline - was founded in
2006, and realised its first two festival editions in 2006 and the 3rd in 2007.
Women Directors Cut is a program series featuring female director and video artists
incorporated in the project environments of The Network.
[NewMediaArtNetwork]||:cologne – www.nmartproject.net
VideoChannel – video project environments – http://videochannel.newmediafest.org
CologneOFF – CologneOnline Film Festival – http://coff.newmediafest.org
SoundLAB – sonic art project environments – http://soundlab.newmediafest.org
AND – Artists Network Database – http://and.nmartproject.net
name |
title |
year |
length |
about |
Rahel Maher (AUS) |
Misstar |
2003 |
2:00 min. |
Rachel Maher has produced documentaries for both radio and film. In 2002 she studied Documentary Film and Television at the Victorian College of the Arts, in Melbourne. Her work covers many social and political subjects, and often explores the themes of identity and survival.
In its simplest form, Misstar is film about a woman who dresses up as a man. This process
appears to entirely change her identity but this film presents the question: what is her real
identity? Misstar is a short documentary exploring personal identity and one person’s
experiment with her own.
This film presents the relationship between Lee and Misstar as a transition in gender
identity. It traces Lee’s process of dressing up as Johnny Gash and the actual preparation for
performing in drag that night. So, we watch her dressing up physically and psyching up
mentally to leave the private persona Lee for a while and become publicly recognisable
Johnny Gash. |
Larissa Sansour (PAL) |
Happy Days |
2004 |
3:40 min. |
Born in Jerusalem 1973, Larissa Sansour studied Fine Art in Copenhagen, London and New
York, and graduated with a master’s degree in Fine Art from New York University.
Her work is interdisciplinary, immersed in the current political dialogue and utilizes video
art, digital photography, experimental documentary as well as the internet.
In addition, she works on productions for the independently run artists’ channel TV-TV in
Copenhagen.
Sansour is currently an International board member at the new concept educational school
Chaos Pilots where she also contributes with her writing on arts, politics and ducation. |
Unnur A. Einarsdottir (IS) |
Music in Cake |
2004 |
3:00 min. |
Born in Reyjavik, Iceland 1981. Graduated from the Icelandic Academy of the Arts 2005, with a B.A. degree in Fine arts.
A young girl is sitting by a table. On the table is a pink and white cake and after a few seconds, little white mice come peaking out of the cake. A closeup shows that the girl is slowly pushing a small hook out of her mouth until it´s hanging from her mouth on a string covered in blood. With the hook hanging out from her mouth, she watches the mice run around on the table until she suddenly pulls one of them up by the tail and brings it to her mouth. |
Oksana Shatalova & Alla Girik (KAZ) |
Warning: Women |
2006 |
3:12 min. |
Alla Girik (1965-2006) and Oksana Shatalova (1972) live in Rudny (KAZ). They work in video, photo and installation.
In non-modernized patriarchal societies (they are still the majority of humanity) the role of
cultural organizing force, "intellect" and "consciousness" is traditionally given to male.
A woman symbolizes the power of the Unconscious, intuition, chaos. It's a kind of some
impersonal force. She is dangerous like the nature (= threat of disaster).
The trilogy "Warning: Woman!" is a Rabelaisian illustration for ideas on woman as a "corporal bottom". It's an ironic illustration of feminophobia; an illustration of archaic myth (about "vagina dentata"). Woman here is represented as a brutal (though funny) monster that always can deprive a male of his phallic regalia. |
Beatrice Allegranti (UK) |
In My Body |
2005 |
4:00 min. |
Is a performer/chreographer/director from UK..
Her interdisciplinary work during the past decade includes performance for dance. She creates autobiographical solo work where she can express her own sexual identity and sense of gender through words and movement.
Is a site-specific autobiographical solo film which explores the sensations and emotions of a woman in the nascent stages of re- constructing her identity following the death of her mother. |
Ina Loitzl (A) |
Snow-white and red like a rose |
2005 |
5:00 min. |
Born in Klagenfurth/Austria, Ina Loiztl studied visual media at the Mozarteum Academy at Salzburg/Austria and moved then to Vienna in order to continue these studies at the Academy of Fine Arts Vienna.
Regularly “SNOW - WHITE” becomes “ROSE - RED”
Takes of her clean appearance
Goes wild, blooming and pulsating
To return again into white silence
This metamorphosis colours the red juice blue
Blood can not be denied
ALARM!!!
Womens’ tears clean their “unsanitary mons veneris”
Marias’ concentration on her body fluids
Made her think of a simple analogy
With the blood of her own son!
Which sanguine is now allowed to be drunk,
which blood is worth to be shed?
Oh, don’t wish for a woman with no abdomen!
Could she serve better with a missing genital?
Clean, safe, marias’ mouth can only swear….
The critical days are “my days”
Activity can be gained with injections or pills
The end is the absence of menorrhoea
But this hide – and – seek can take revenge
With bouts of the vagina
Because tampons can only stop, plug and tame
The juice floating with relish |
Johanna Reich (D) |
Front |
2005 |
2:00 min. |
Lives and works in Barcelona, Spain and Cologne, Germany.
„A young woman during her fight against the camera, against the observer.
I made a short experimental video called “front“ (frontal attack) to portrait myself as a young
artist also referring to the situation of bethlehem. Bethlem is a place full of incredible stories, different point of views, freedom and fear, things that have astonished me.
The name “bethlehem” makes me think of the essential things concerning human life - as a
symbol of peace but nevertheless it is already a place of danger and fight, revealing another
part of the human nature. With my short video I want to reflect myself beeing a young artist,
living in this world of media presence, that sometimes scares me, sometimes I would like to
fight, sometimes I want to surprise the environment that surrounds me. But the fight indeed
is always a lost one and not the solution... „ |
Leticia El Halli Obeid (RA) |
Headphones |
2001 |
2:33 min. |
Born in Córdoba, Argentina, in 1975. Studied Fine Arts at the National University of Córdoba
(1995-2001). Works mainly in video ever since.
This piece was made with fragments of songs sung by a series of persons who were invited
to pick a favourite song and sing it while they heard it through headphones. The point was
that the volume had to be high enough so that they wouldn´t hear their own voices. Thus,
by loosing control of the result they are doing a sort of translation but, as it happens usually,
the singer keeps a sort of illusion about his/her own voice: the sound that they are hearing
replaces the real one and works as a sort of mask, giving them the feeling that they are
singing like their loved solist or band. |
Margarida Paiva: (P) |
Habit |
2005 |
5:50 min. |
Margarida Paiva, born in Coimbra, Portugal, is a young artist living and working in Oslo.
Her video works are based on fragmented stories that explore inner states of mind resembling dreams and memories. Melancholy, loneliness and fear are subjects that always remain in these works and are expressed through poetic imagery.
Narrative placed in an imaginary space and time, in which a female character experiences the same dream several times. |
Sonja Vuk (HRV) |
My Way |
2006 |
1:00 min |
Born and living in Croatia.
The title and initial idea comes from furious Sid Vicious' performance of the song «My
Way».
Specific spitful way of singing evokes track of rebellion but yet lack of strength to
change anything. It, usually, happens in everyday life.
Everything depends on how and where we are raised, conscious and unconscious
consequences of our education, political climate, tradition, religion, social and historical
context, family relations... What we were, what we wanted to be and what we became... |
Clair Ultimo (USA) |
Inner Dialogue |
2004 |
3:36 min. |
Is an interdisciplinary artist who lives and works in NYC.
Inner Dialogue is an experiment in personal response, made public. This was done as an in-
camera edit and the dialogue is a internal question and answer session, that mainly deals
with the questions of accountability and belief systems.
I listened and responded visually on camera to a series of metaphysical styled questions that
brought me to an uncomfortable realisation at the conclusion. |
Nancy Atakan (TR) |
The Wall |
2005 |
1:40 min. |
Born in the United States, Nancy Atakan has lived and worked in Istanbul since 1969. In 1995
she received her Ph.d in art history from Mimar Sinan University in Istanbul. Between 1996
and 2002 she taught twentieth century art history at Bosphorus University. In 1998 Yapi
Kredi Bank Publishers printed her book entitled Arayişlar (Searching for Alternatives to
Painting and Sculpture). |
Silvia Cacciatori Filloy (U) |
Prostituto/ta |
2005 |
4:40 min. |
She was born in Montevideo, Uruguay, in 1962. Graduated in Visual Arts in the School of Fine Arts in the National University ofUruguay. She works in multimedia since 1996 and her
interest is in genre themes, discrimination and violence.
„Prostituto/ta is the thesis with which I graduate of the school of Fine Arts. It is an
investigation on the Spanish language in that I looked in the dictionary for all the prostitute's
synonymous ones. The animation of 104 words develops on the front of the building of the
Royal Real Academy. The language reflects the system of collective thought, and across it
they transmit values.
In Prostituto/ta show some of the actors who from different places have legitimized - and they continue doing it-, supported and sentenced to the prostitute, already be from the religion, from the philosophy, from the art. The history has been created for males, for this motive, they are the principal actors in this animation. In the closing of the animation, the credits present one more controversy about the definition of prostitute: “woman of art”, that´s I am!” |
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